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c. 1445 – May 17, 1510. Italian painter.

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STANZIONE, Massimo
Beheading of St John the Baptist awr

ID: 09153

STANZIONE, Massimo Beheading of St John the Baptist awr
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STANZIONE, Massimo Beheading of St John the Baptist awr


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STANZIONE, Massimo

Italian Baroque Era Painter, 1585-1656 Italian painter. Primarily a painter of altarpieces and frescoes, his large production and vast following of students and imitators made him perhaps the leading Neapolitan painter in the first half of the 17th century. He was known as the great rival of Jusepe de Ribera, and for most of the 1630s and 1640s he and Ribera dominated painting in Naples. Stanzione's rich colour and idealized naturalism, for which he was called 'il Guido Reni napoletano', definitively influenced numerous local artists and remained discernible in the earliest works (1670s) of Francesco Solimena. Only a few portraits and mythological paintings by Stanzione are known,   Related Paintings of STANZIONE, Massimo :. | the harvest wagon | Vincenzo Anastagi | Man with a Magnifying Glass du | A country blacksmith disputing upon the price of iron,and the price charged to the butcher for shoeing his pony (mk310 | Maternite (mk38) |
Related Artists:
Lodovico Mazzolino
Italian High Renaissance Painter, 1480-1528
Sir Samuel Fildes
English Painter, 1843-1927
Pieter Cornelisz. van Slingelandt
(20 October 1640 - 7 November 1691) was a Dutch Golden Age painter. According to Houbraken, his teacher was Gerard Dou, who he imitated so well that many of his works were later misattributed to him. According to Houbraken he was rather introverted and very methodical and conscientious, spending months on his works and striving for perfection. Houbraken especially liked a piece where a maid holds a mouse by the tail as a cat jumps for it. Houbraken wrote that while Slingelandt was working on a family portrait for the gentleman Francois Meerman (1630-1672),






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